Death

...and his name that sat on him was Death, and Hell followed with him.

 

Gentlemen, I am returned. I've gotten that foamy itch, again, and my Dremel's been ripping through plastic. My +Bow's out of storage and the hopper's clean.

 

I'm working on a Retaliator right now. Nothin' super special-- OMW Stage 1 and I'm working up a pump action for it. I'll post pics once it's done. Also, if I'd known about the Hammershot when it came out, I may not have stayed away from Nerf for so long-- I'm loving this damned thing.

 

Anywho, it's good to be home.

The strategic relationship grants EA the exclusive worldwide rights to create digital games based upon a huge array of Hasbro’s intellectual properties, including Monopoly, Scrabble, Yahtzee, Nerf, Tonka and Littlest Pet Shop, to name a few. Inspired by these classic board games and toys, EA will develop interactive experiences for a mass audience to play across key platforms including mobile, online, handheld, PC and consoles. The first games are scheduled to launch in 2008.

Full Press Release

...let's just hope that any Nerf games developed are better than the old Nerf Arena Blast.

Since I leave for Cali (and there-hence, Armageddon) on Friday, I decided to check into airline restrictions on those items which can or cannot be brought aboard an aircraft-- especially in regards to Nerf Guns.

According to the latest document on Permitted and Prohibited Items on the Transportation Security Administration's website, toy weapons (so long as they are not realistic replicas) are permitted both in Carry-On and Checked baggage. That makes things a tad simpler for many of us concerned about flying with our guns.

After much internal conflict, I decided to finally go and see Gangs of New York last night. The aforementioned conflict arises in my deep hatred of Leonardo DiCaprio, an actor whose work I've boycotted since he played the worst Romeo this side of Hell. I pride myself on being one of the few people who has never seen the movie Titanic. However, the combination of Daniel Day-Lewis returning to the screen for the first time since 1997, and Martin Scorcese finally finishing this nigh-thirty-year-old labor of love, proved in the end to overpower my seething disgust with the casting director's decision for the protagonist.

STORY
The majority of the film is set in early 1860's New York City at the time of the Civil War. The influence of the historical element on the tale adds a decidedly exhilirating atmosphere to an otherwise rehashed plot (boy watches daddy die, boy gets older and tries to have his revenge while falling in love with a beautiful woman). The only plot twists worth noting arise from the infusion of history into the story, turning a tired, old, worn-out story into a thoroughly enjoyable plotline (though they could have shaved some time off the film by foregoing the forced conflict between DiCaprio and Diaz; everyone knows they're gonna fall in love, Mr. Scorcese, just let it happen!).

ACTING
Leonardo DiCaprio did surprisingly well, in my opinion. Though he couldn't fake an Irish accent if you threatened his life, one could attribute that to the fact that (in character) he was born and raised in America. Same goes with Diaz's little pickpocket. Both actors were able to portray the necessary emotion and carry the feel of the movie quite well, but there were a few times when poor accents got in the way of the film. Daniel Day-Lewis, on the other hand, made this film. He MADE it. I seriously doubt I would have liked this movie were any other actor in his place. He plays his character to the proverbial 'T,' and maintains a visage that one loves and despises all at once. His accent can make for both comic relief and vital tension when necessity calls. Wonderful, outstanding, amazing. My choice for Best Actor in the upcoming Academy Awards. Finally, a surprise cameo by Liam Neeson (as my favorite character in the film, "Priest" Vallon) puts forth another wonderful, and well-established acting job, even if he does buy it in the first scene.

DIRECTION
Scorcese utilizes a very stylized approach in presenting this film; it almost feels cartoonish at times. However, it never falls into the realm of corny or distasteful filmography. It has the feel of a tall tale or a folk legend, and all the more bite due to its historical context. Definately a new Scorcese masterwork, in my opinion. The way in which he exemplifies the melting-pot atmosphere of New York during a major immigration boom is phenomenal. The art, language, and music hail a wonderful meld of cultures: Irish and African and German and Slavic. Wonderfully put together.

MUSIC
The film's soundtrack is amazing. Aside from the everpresent melting-pot atmosphere, the music works to perfectly set the mood in each and every situation in the film. Particularly of interest to me is the battle song; a wonderful combination of Celtic piccolo and African tribal rhythms, it paints the scenes with the color and emotion and passion of ancient folk music, passed down generation to generation. It simply adds to the folk legend feel carried throughout the film.

CONCLUSION
See this movie. If only for the bad-ass battle scenes, awesome music, or outstanding acting of Daniel Day-Lewis, see this movie. Well worth the $8.50, and well worth the 160 minutes.